Come meet Sam Maggs, author of The Fangirl’s Guide to the Galaxy. Maggs will say hello and sign books!
6pm on Tuesday, June 2nd at Locust Moon.
There’s no Drink & Draw tomorrow, my fine feathered friends. Save your strength for a weekend-long celebration of comics and community at Locust Moon.
It begins Friday at 7pm, when we host a signing of COLONIAL COMICS, the beautiful new collection of stories set at the dawn of our great and troublesome nation, hot off the presses from Fulcrum Books.
Many of our Locust Moon mainstays contributed to this handsome volume, including James Comey, Mike Sgier, Charles Fetherolf, Jason Rodriguez, and yours truly, humble scribe and scrappy utility infielder Josh O’Neill.
Jason will play the fife. I’ll bang a drum. if you’ve been yearing for more fife in your life, this is the place to find it.
Then join us the following day for our QUARTER MOON: REVENGE release party. Though there is no formal presentation, Dave Proch will be performing scenes from his unhinged love/hate story GYPSY at full voice and unexpected intervals throughout the evening.
Be there, or be the next victim of our swift and brutal vengeance.
On Sunday, we rest, and maybe eat some waffles.
Have you been wronged? Mistreated? Betrayed? Cut off in traffic? Dumped, dissed, kissed off, cussed out, ripped off or robbed?
Well, the law firm of Kitchen, Seitchik, Woods, Dougherty, Simple, Turbitt, Heimer, Comey, Proch & Krayewski is in your corner.
But it’s not justice we offer. It’s REVENGE.
The fifth issue of our quarterly comics magazine features eleven jaw-clenchingly vindictive tales of retaliation, comeuppance and just desserts from many of the finest, angriest cartoonists working today.
It premiers at New York’s esteemed Museum of Comic and Cartoon Art Festival on April 11th & 12th, from 11am to 6pm. So come find us at table 316, and we’ll seal your copy with a spiteful kiss.
You could also order one from our web store today!
Then come join us the following weekend on Saturday, April 18th for a ruthless evening of retribution and reprisal. A book release party to flaunt our joy and success in the faces of our many enemies and detractors.
Bring your grievances and grudges. We will drown them in blood.
An eye for an eye. A tit for a tat. A comic for you, you heartless, blood-thirsty hate machine.
Luke Ramsey’s INTELLIGENT SENTIENT? defies description. Its back-cover copy takes a pretty impressive swing, though: “INTELLIGENT SENTIENT? feels like an artifact from another time — a lost feature in Omni magazine or the album booklet for a late 1970s Hawkwind record or, perhaps, a print version of Koyaanisqaatsi.” In fact it doesn’t really quite feel like any of those things, but the comparisons in sum point you in the right direction: they evoke the pure found-object otherworldliness and unsettling artifactual shimmer of this weird and startling thing. It’s an item that floats in its own self-sustaining cloud of unknowing – a mislaid, untraceable document of a long-forgotten future.
Among the things it’s documenting are: motherboards and root systems; almond-eyed aliens; snakes made of snakes; mushroom clouds trees with trunks of tangled red veins; the exploitation, subversion and destruction of a bountiful, frightening planet; insectoid mandalas, third eyes, astral projections; puppets, puppetmasters, secret societies; shadows and distorted reflections; the ways the writhing, chaotic mass of the natural world fuses to the sleekly ominous silent hum of the digital one.
In this thematically and stylistically linked series of wordless illustrations, Ramsey’s art bends and folds in on itself, redoubling and kaleidoscoping into endless patterns, fractals, double helixes and splintered nuclei, building a mythos of interconnection and unearthly mystery. There’s no rendering in these hyperdetailed kenophobic drawings – just an endless, roiling ocean of squiggles and geometric shapes: anarchic, filigreed abstraction wriggling within the strictures of gorgeously designed clean-line compositions. His stretched-out landscape-format images bubble and twist, exploring the endlessly replicating, mirrored architectures of both our universe and culture. As above, so below.
The same esoteric heiroglyphs – pyramids, obelisks, eyes, coils, snakes – keep recurring through the book, appearing both as natural formations and branded onto labels, displayed on the sides of vehicles, inscribed into flesh. INTELLIGENT SENTIENT? explores the secret lives of images — how the transcendent visual archetypes of myth and nature spawn and split in our viral and mindless cultural exchange, which uses up then reiterates used up structures and compositions and icons. In Ramsey’s vision, a supermarket check-out line is as hauntingly empty and alienating as the star-strewn sky. They both make you feel small and alone, and they are both in a certain sense masks for the unknowable essence of reality.
As in the stunningly detailed but unassuming, even modest pink-on-pink cover, Ramsey uses a combination of high- and low-contrast color choices to introduce a shrouded dimensionality to his strange compositions. He buries painstaking detail in barely-differentiated shades of black on dark brown, or red ink on a red background. It shows an admirable willingness to camouflage his own beautiful and laborious work, and its coy subtlety is magnetic — it lures you deeper and deeper into this book’s quiet, disconcerting simulated reality. It whispers that you should look closer. There’s always more to see – always more paths to follow and lines to unravel.
INTELLIGENT SENTIENT? is animated by a precise and compelling aesthetics that reinvents the universe with a kind of paranoid wonder, builds it up and breaks it down. Its inscrutable message has a cryptic urgency: the world is not the world. There is unspeakable beauty and cunning intelligence hiding behind every curtain. Pull them back at your own risk.
I haven’t taken mushrooms in a very long time, so I can’t speak from experience. I feel I should be cautious here and advise against it. The horror vacui in here is very ominous and itchy, and maybe too compelling for a psilocybin-vulnerable mind to handle. I don’t want to be responsible for anyone’s psychic break.
But there’s a deep longing in Ramsey’s artwork for some kind of ineffable communion that lies beyond the limits of language and ego. This book wants to be ripped free from its confining context. It’s a world in and of itself, and it aspires to exist on its own terms – not as a collection of illustrations but as a teeming, unfathomable reality. It wants you to fall inside. INTELLIGENT SENTIENT? represents a wild, reckless thrust past the petty fears and estrangements and oppressions of mudane life into a frightening, beautiful, unmapped terrain – a bold attempt to establish contact with the thing behind the thing. It deserves an unguarded mind to meet it on its journey. So come to this book ready to believe. Eager to be abducted. Let Luke Ramsey and his collaborators pry open your mind. See what spills out.
Then report back here and together we can try to signal the mothership.
Please join us at the Society of Illustrators on Saturday, March 14th at 2pm for
LITTLE NEMO meets CAROUSEL
A performance and tribute to cartoonist Winsor McCay
Carousel, the comics reading & performance series, presents a tribute to Winsor McCay’s Little Nemo. The show features cartoonists from the Locust Moon Press anthology LITTLE NEMO: DREAM ANOTHER DREAM, plus a special presentation by animation historian and Oscar-winning filmmaker John Canemaker.
Besides being one of the greatest cartoonists of all time, Winsor McCay was also a popular and innovative vaudeville performer, so this show is a perfect way to honor his amazing legacy.
With readings, animations, and performances by: John Canemaker, Maëlle Doliveux, Maria Hoey, Adriano Moraes, Dave Proch, Andrea Tsurumi, Ronald Wimberly, and special guests. Plus a slide show drawn by Dean Haspiel (not appearing in person). Hosted by R. Sikoryak.
The Society of Illustrators, 128 East 63rd Street (btwn Park & Lexington Avenues), New York City.
Admission: $15 Non-members, $10 members, $7 seniors/students.
Also on display: an exhibit with original art from the Locust Moon Press anthology LITTLE NEMO: DREAM ANOTHER DREAM. The exhibition runs through March 28, 2015.
ABOUT THE ARTISTS
Animation historian and Oscar-winning filmmaker John Canemaker presents animation’s first female personality: the spunky dinosaur Gertie, who celebrated her 100th birthday last year. Winsor McCay’s breakthrough film is a masterpiece of early character animation, a type of individualization in animation whose legacy is the pantheon of Walt Disney. Canemaker is the author of twelve acclaimed books on animation history, including the only biography of Winsor McCay. He is a tenured professor and head of the animation program at NYU Tisch School of the Arts, and his short The Moon and the Son won a 2005 Academy Award as Best Animated Short. JohnCanemaker.com
Maëlle Doliveux is a French and Swiss illustrator, cartoonist and animator who’s clients include Newsweek, The New York Times, The Boston Globe, and Motorola. She graduated from the MFA Illustration as Visual Essay program at the School of Visual Arts in 2013, has received recognition from the Society of Illustrators, the Art Director’s Club and American Illustration as well as having been a jury member for the Society of Illustrators in 2015.www.maelledoliveux.com
Emmy award winner and Eisner Award nominee Dean Haspiel created BILLY DOGMA, illustrated for HBO’s “Bored To Death,” was a Master Artist at the Atlantic Center for the Arts, is a Yaddo fellow, a playwright, and the co-founder of Hang Dai Editions. Dino has written, drawn, and collaborated on many superhero and semi-autobiographical comix and graphic novels. http://www.deanhaspiel.com
Maria Hoey is 1/2 of Coin-Op. A studio started with her brother Peter in 1998. Together they create illustrations, animations, and comic stories. The best possible job on the planet. Coin-Op studio is at www.peterhoey.com.
Adriano Moraes is a Brazillian born cartoonist working as freelancer in NY on almost all mediums from theater to film, illustration, animation, puppetry, burlesque shows, graphic design and advertising. He sucks at singing and dancing but that never stopped him. facebook.com/theadriano
Andrea Tsurumi is an illustrator and cartoonist who likes history, absurdity, dogs and monsters (in no particular order). Comics of hers have appeared in The Graphic Canon of Children’s Literature, Flashed: Sudden Stories in Prose and Comics, The Nib and Quarter Moon. Her work has been described as “strange and emotive.” She likes funny stories, lives in New York City, and you can see her work at www.andreatsurumi.com
Ronald Wimberly is an artist who works primarily in design and narrative. He is an accomplished illustrator and cartoonist, having designed several graphic novels as well as shorter works for DC/Vertigo, Nike, Marvel, Hill and Wang, and Dark Horse. His last work was the critically acclaimed Prince of Cats for DC/Vertigo. http://ronwimberly.com/
R. Sikoryak is the cartoonist behind Masterpiece Comics (Drawn & Quarterly). He’s also recently drawn for The New York Times Book Review, The Graphic Canon of Children’s Literature, SpongeBob Comics, Hellboy, and more.www.rsikoryak.com
For more info: societyillustrators.org
east of west #18 : as good as it gets in monthly comics right now.
ant-man #3 : nick spencer hits all the right notes in this family-oriented, funny superhero romp. fans of the taskmaster, delight.
star wars #3 : jason aaron and john cassaday are making star wars fans everywhere very, very happy.
the surface #1 : to quote from ales kot’s own words here, i have no idea whether this book is going to actually work, but the spirit that he and artist langdon foss brought to this opening issue make it worth it to find out.
howard the duck #1 : SEX CRIMINALS artist chip zdarsky turns out to be the perfect guy to bring the irascible duck into the 21st century. teamed with joe quinones on art, this is a book that any fan of the recent HAWKEYE, SHE-HULK, or SILVER SURFER series needs to check out.
silver surfer #10 : wonderful wrap-up to this all-new galactus trilogy from michael & aura allred and dan slott.
mouse guard: legends of the guard vol 3 #1 : devid petersen’s anthology featuring various creators playing in his mouse guard world is always a delight, and with stories from creators like mark buckingham and skottie young, this new series is off to a fine start.
ragnarok #4 : walt simonson’s grim, energetic return to the ground he built his own legend on is heating up.
tuki save the humans #3 : the same can be said for jeff smith’s new series, as this 3rd issue is the strongest one yet.
spider-gwen #2 : spider-ham! the vulture! that costume! fun stuff.
the fade out volume #1 : old time hollywood in the hands of CRIMINAL masterminds ed brubaker and sean phillips. this is about as good as noir gets, folks.
sex criminals volume #2 : what would you do if you could stop time when you orgasm? give this a read, it’ll help you figure it out.
abigail and the snow man #3 : is anyone better at this kind of innocently sophisticated cartooning as roger langridge? parents and the young at heart, start here and go to SNARKED and the wonderful MUPPET books roger did.
spider-gwen #1 : this book brings a lot of heat on the heels of the over-the-top fun SPIDER-VERSE storyline. there was a lot of talk about the batgirl costume redo from a few months back, and that was cool, but gwen’s webbed hoodie is one of the best new character designs i can remember in a long time.
ody-c #3 : whoah. this sci-fi gender-bent retelling of THE ODYSSEY is pure comics.
the manara library volume 6 : the final volume in dark horse’s fantastic collection of italian master milo manara’s singular work takes off on its own sci-fi flight of fancy. yes, it’s sexy.
curb stomp #1 : we’ve got the makings of the baddest girl gang since the lizzie’s here…
django/zorro #4 : matt wagner just flat out knows how to handle these characters, and an improbable pairing becomes a cracking good yarn in his hands.