good this week

wolverine & the x-men #33 : jason aaron and nick bradshaw keep bringing the fun. this issue sports my favorite cover nick’s done yet.

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gamma one-shot : this book is rad. i want more comics like this.

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king the special edition : ho che anderson’s masterful biography of the great martin luther king collected in an affordable hardcover. good stuff, fantagraphics.

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copra compendium volume #2 : collecting issues 4-6 of michel fiffe’s badass exercise in indy superheroics.

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hawkeye annual #1 : the hawkeye crew keeps getting it right, with perfect-fit javier pulido joining matt fraction on this one.

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batman/superman #2 : jae lee is worth the price of admission alone. the man is on fire.

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it will all hurt : wonder. loss. ache. old worlds and new worlds. farel dalrymple gives it all to us the way only he can.

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–chris stevens

QUARTER MOON and ANNIVERSARY PARTY!

Quarter Moon 1 cover

It’s our one-year anniversary bash, and we’re rolling out the first issue of our quarterly series. This first issue is an all-silent outing with work from Charles Fetherolf, Alexandra Beguez, Sophia Wiedeman, Alex Eckman-Lawn, Rob Woods & Chris Stevens, Farel Dalrymple, and Jeremy Baum. It’s been a heck of a first year and we look forward to celebrating with y’all.

Friday, July 19, 7:00 pm
Locust Moon Comics
34 S 40th St, Philadelphia, PA 19104

good this week

batman ’66 #1 : jonathan case nails the cornball aesthetic of the beloved/derided ’60s tv show with a flurry of clean lines, fake zip-a-tone, and wacky 3-d coloring.

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glory volume 2 : joe keatinge & ross campbell’s rob liefeld reinvention winds down right as it hits its peak, with keatinge’s characters having grown on you and campbell and colorist owen gieni becoming one of the best art teams in comics.

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kill all monsters volume 1 : what else do you need to know but this…

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the strange world of your dreams : a 1950s series produced by simon & kirby. i can’t help but wonder if the tagline ‘we will buy your dreams’ came to haunt kirby as he got older. this is a gorgeous book with top-notch production values and an opening essay on winsor mccay.

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