QUARTER MOON: REVENGE to Debut at MoCCA-Fest!

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Have you been wronged? Mistreated? Betrayed? Cut off in traffic? Dumped, dissed, kissed off, cussed out, ripped off or robbed?

Well, the law firm of Kitchen, Seitchik, Woods, Dougherty, Simple, Turbitt, Heimer, Comey, Proch & Krayewski is in your corner.

But it’s not justice we offer. It’s REVENGE.

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The fifth issue of our quarterly comics magazine features eleven jaw-clenchingly vindictive tales of retaliation, comeuppance and just desserts from many of the finest, angriest cartoonists working today.

It premiers at New York’s esteemed Museum of Comic and Cartoon Art Festival on April 11th & 12th, from 11am to 6pm. So come find us at table 316, and we’ll seal your copy with a spiteful kiss.

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You could also order one from our web store today!

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Then come join us the following weekend on Saturday, April 18th for a ruthless evening of retribution and reprisal. A book release party to flaunt our joy and success in the faces of our many enemies and detractors.

Bring your grievances and grudges. We will drown them in blood.

An eye for an eye. A tit for a tat. A comic for you, you heartless, blood-thirsty hate machine.

BYOBile.

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good this week

east of west #18 : as good as it gets in monthly comics right now.

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ant-man #3 : nick spencer hits all the right notes in this family-oriented, funny superhero romp. fans of the taskmaster, delight.

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star wars #3 : jason aaron and john cassaday are making star wars fans everywhere very, very happy.

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the surface #1 : to quote from ales kot’s own words here, i have no idea whether this book is going to actually work, but the spirit that he and artist langdon foss brought to this opening issue make it worth it to find out.

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howard the duck #1 : SEX CRIMINALS artist chip zdarsky turns out to be the perfect guy to bring the irascible duck into the 21st century. teamed with joe quinones on art, this is a book that any fan of the recent HAWKEYE, SHE-HULK, or SILVER SURFER series needs to check out.

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silver surfer #10 : wonderful wrap-up to this all-new galactus trilogy from michael & aura allred and dan slott.

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mouse guard: legends of the guard vol 3 #1 : devid petersen’s anthology featuring various creators playing in his mouse guard world is always a delight, and with stories from creators like mark buckingham and skottie young, this new series is off to a fine start.

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ragnarok #4 : walt simonson’s grim, energetic return to the ground he built his own legend on is heating up.

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tuki save the humans #3 : the same can be said for jeff smith’s new series, as this 3rd issue is the strongest one yet.

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spider-gwen #2 : spider-ham! the vulture! that costume! fun stuff.

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–chris

good this week

the fade out volume #1 : old time hollywood in the hands of CRIMINAL masterminds ed brubaker and sean phillips. this is about as good as noir gets, folks.

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sex criminals volume #2 : what would you do if you could stop time when you orgasm? give this a read, it’ll help you figure it out.

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abigail and the snow man #3 : is anyone better at this kind of innocently sophisticated cartooning as roger langridge? parents and the young at heart, start here and go to SNARKED and the wonderful MUPPET books roger did.

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spider-gwen #1 : this book brings a lot of heat on the heels of the over-the-top fun SPIDER-VERSE storyline. there was a lot of talk about the batgirl costume redo from a few months back, and that was cool, but gwen’s webbed hoodie is one of the best new character designs i can remember in a long time.

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ody-c #3 : whoah. this sci-fi gender-bent retelling of THE ODYSSEY is pure comics.

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the manara library volume 6 : the final volume in dark horse’s fantastic collection of italian master milo manara’s singular work takes off on its own sci-fi flight of fancy. yes, it’s sexy.

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curb stomp #1 : we’ve got the makings of the baddest girl gang since the lizzie’s here…

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django/zorro #4 : matt wagner just flat out knows how to handle these characters, and an improbable pairing becomes a cracking good yarn in his hands.

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–chris

good this week

silver surfer #9 : barreling along in what’s going to be one of the touchstone SS runs, this galactus-ized issue sets up a thrilling 3rd act to this book’s best arc yet. the inimitable art work of michael&laura allred is worth the ticket alone. and this cover has to be an early candidate for cover of the year…

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the multiversity mastermen #1 : grant morrison continues to march across the entirety of dc’s history like adolph hitler thru 1939. wait a minute…that’s hitler on the toilet. thanks, grant.

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she-hulk #12 : so, so sad to see this book go away. if you haven’t, do yourself a favor and check out what charles soule, javier pulido, and co. put together here.

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bitch planet #3 : a world where women can wind up in an off-planet prison for…wanton obesity? but don’t worry, these ladies are about to fight back. another perfectly paced, involving episode of this early candidate for series of the year.

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silk #1 : cindy moon was bitten by the same spider that bit peter parker. what else do you need to know?

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eight #1 : the talented rafael albuquerque throws his hat into the sci-fi ring, with some good-looking early results.

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–chris

good this week

darth vader #1 : marvel is 2 for 2 so far with their STAR WARS roll-out. this is a vader who is suffering the backlash of the death star’s destruction and feeling the first glimmers of awareness that a certain farm boy named luke might be more than he seems.

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southern bastards #7 : blood, guts, and heart. jason’s aaron and latour have quickly established this series as one of those books you gotta read as soon as you get your hands on it.

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the empty #1 : fantasy books are a tough road to hoe, but jimmie robinson won me over here with pleasing layouts and color work. i can’t think of another book right now that looks like this, and that’s a good thing.

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transformers vs gi joe #5 : now, i’m friends with the mastermind behind this book, tom scioli, and gi joe was the thing i loved most from those golden years of boyhood say 8-12. that said, this is still the most improbably good book since brandon graham relaunched PROPHET. it’s obvious on every page that tom is all in, and there’s a joyous, anything-goes quality that only the best comics have.

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fables complete covers by james jean : you need me to tell you why you need this? well, it is the first time all of james’ storied FABLES covers are in one place.

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ps. this is actually the cover to the original, incomplete volume of jj’s covers. i couldn’t find the new cover online for the life of me.

–chris

 

THE MOTHER’S MOUTH by Dash Shaw

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I usually use this space to highlight new, or at least newly-in-print comics and collections. But I just read something great, and I want to tell you about it. THE MOTHER’S MOUTH by Dash Shaw is a deeply moving story and a stunningly original exploration the unique capacities of the comic medium. Everyone should read it. We have one copy at Locust Moon. Come and get it, lucky reader, and be enriched. It’s no longer in print, so everybody else is shit out of luck.

Much of Dash Shaw’s brilliance lies in the way be brings his ravenous appetite for innovation to tender, human narratives. Though he seems to be devising his approach in the moment, restlessly mining his inventiveness page by page, the stories are old and the characters familiar. His books are small, well-observed and subtle, but his themes are huge and unmanageable, the stuff of great literature — brotherhood, envy and crumpled desire in NEW SCHOOL, for instance, or loneliness, obligation and loss here in THE MOTHER’S MOUTH. These pure evocations of human longing are the emotional backbone of his work, powerful pulsing centers that guarantee that these stories, for all their obfuscating experimentalism, will never buckle under the weight of their own ambition.

The plot, slight as it is, concerns Virginia Miles, a children’s librarian who must return home to care for her elderly mother. She falls into a cautious, uncomfortably intimate relationship with Dick Lucido, a damaged, gentle musician. They blunder towards some kind of guarded love, fingers pushing through the bars of their shame, fear and isolation, as Virginia’s mother fades and dies. But somewhere over the course of all this you fall under this book’s weird spell, and start receiving Shaw’s urgent, befuddling transmissions.

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Virginia’s story is told in a clunky-clean traditional narrative style, with thick marker lines and brushstrokes, her mother’s face layered, shroud-like, with clean black wrinkles. But just as much space is given over to old photographs, scientific and psuedo-scientific schematics, diagrammed dance steps, newspaper articles, found objects. There are moments when it feels less like a story than a bundle of mementos and documents, wrapped in wax paper and bound up with string. Sometimes you read this book — other times you pluck your way through it, puzzling, turning it over in your hands, feeling for its gnomic meaning in the dark.

There’s a tangle of sex, grief and memory at the center of THE MOTHER’S MOUTH that you can never quite unravel — at least, I couldn’t. Virginia, wracked with sorrow over her mother’s illness and utterly vulnerable , alone in the world, falls in with the daydreamy, Michael Jackson-obsessed Dick and we see their weird, halting, awkward courtship (“Oh my god, I’m sorry did my breath smell?” “Oh, I don’t know, did my breath smell?”). But then there are lengthy detours into Virginia’s first (probably only) love affair, a preadolescent fling with a boy named Richard, who died when he was swallowed up into the depths of a sandbox. Near the end of the book, there’s a news article about a Louisiana therapist who accidentally kills a child named Richard, suffocating him during a controversial therapeutic technique in which patients re-experience their own births. What actually happened to Richard? What is his relation to the similarly-named Dick? What does this assemblage of stuff, connected with the thinnest strands of desire, nostalgia and fantasy, mean?

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Your guess is as good as mine. But answering those questions is not the purpose of this story. It’s the mystery, the haunting feeling of the accumulation of all these bits and pieces, the way they mirror one another, operating according to aesthetic as much as narrative logic. Shaw’s world here is a darkly funny fractal, and his vision zooms in on the tiniest memory, a crumpled snapshot, a child’s drawing, then out to the geologic scale of time. We watch Pangaea break apart then come back together again, see the moon swallowed in darkness, then shimmer through as a crescent now reversed, observe a mythical creature decompose into fossils in a series of cross-sections of sedimentary rock. His versatile, telescopic camera always discovers the same thing: that time marches on, that loss is inevitable, that life is fragile and beautiful.

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In one bravura four-page sequence, a sex scene between Dick and Virginia branches into the roots of a tree, the trunk of which flows into a river, which transforms into a topographical map, which, panning back, is revealed to be the sandbox in which Richard died. Everything is everything else — look at the sweep of history or a microbial organism and discover your own anxieties, grievances and hopes. The same messages are encoded into every sequence. When Virginia’s mother dies, her spirit just puffs our of a her chest as a little Pacman ghost, then floats off as a white silhouette against an empty black spread. Figuration, symbolism and narrative are jostling for page space, pulling against each other, as disjointed as they are unified.

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Like in the work of Chris Ware, the towering ambition of the formal approach plays brilliantly off the smallness and mundanity of the story. Virginia and Dick are stuck in prisons of their own device while the vast universe, impossibly beautiful and frightening, spins around them. THE MOTHER’S MOUTH explores huge and hopeful ideas about Dharmic interconnectedness, universal mirroring and infinite regression in a tale of badly damaged people, lost souls shrouded in scar tissue.

It ends with tentative hope, pillow talk, and Dick’s plans for a haircut. In THE MOTHER’S MOUTH, Dash Shaw summons an entire universe just to make two people feel a little less alone.

MM cover– Josh O’Neill

 

good this week

ok, we didn’t have a chance to read anything yet this week, but these are the books we really wanna read…

rocket raccoon #2

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nightworld #1

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she-hulk #7

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i was the cat

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trillium

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the complete elfquest vol. #1

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the ring of the nibelung

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jack davis drawing american pop culture

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food wars!

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