Locust Moon’s Top 40 Comics of 2013

Farewell, 2013. In place of our monthly Top 40 Countdown, we decided to spotlight the 40 best comics we read this past year.

Here are our favorites, in no particular order:

east

EAST OF WEST

Josh: Jonathan Hickman & Nick Dragotta are perfectly matched on this genre-defying retro-futurist opus. Equal parts western, sci-fi, romance, alternate history, religious deconstruction and social parable, it feels nothing like a mashed-up melange — it feels like a pure, high howl, equal parts fear and longing, that echoes off the motherboarded cities and across the wide, lonesome plain.

iwahno1coverworkingcolor1

IT WILL ALL HURT

Chris: Begun as a means of unwinding from the grind & pressures of producing what would become the 304-page THE WRENCHIES, this magical, surreally lyrical  adventure packs as much feeling and pure cartooning chops into one issue as most cartoonists are lucky enough to get out of a whole career.

FB_pg_0

FANTASY BASKETBALL

Andrew: Few comics this year had me jumping out of my chair to cheer the main character on. Equally few inspired an immediate re-read — not to understand it better or anything, but to simply relive and extend the joy of reading it for as long as possible. Sam Bosma’s Zelda-meets-NBA Jam dungeon romp did both those things. It is simply a perfect comic, the kind I never knew I needed till I had it.

CB cover

CELEBRATED SUMMER

Josh: 2013 has been a hell of a year for Charles Forsman. During his breaks from almost single-handedly resurrecting the subscription model with OILY COMICS, his mini-comics publishing dynamo, he’s managed to release two of the best graphic novels of the year. CELEBRATED SUMMER stars Wolf, a lonesome, chubby teenager who goes with his buddy Mike on a very boring and dissolute acid trip. Forsman is a master of silences — few cartoonists are as articulate with words left unsaid — and this utterly recognizable and deceptively simple story speaks volumes without saying much at all.

HIP-HOP-FAMILY-TREE-COVER

HIP HOP FAMILY TREE

Chris: Ed Piskor throws down an encyclopedic account of the early days of an American art form. The telling of the tale is as fresh as the old-school treasury format, which Ed recreates in loving, meticulous detail. Bring on volume #2!

Continue reading