good this week

saga #21 : things are getting slipperier for the families on both sides here. on another note, i want FRIENDO.

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ragnarok #1 : YES. walt simonson back in the saddle, with john workman bringing the BRAKKATHOOMs.

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avengers 100th anniversary #1 : james stokoe. need i say more?

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transformers vs gi joe #1 : tom scioli pulls off a perfect evocation of all that made generations of kids spend countless hours on kitchen floors playing out action figure battles & plots.

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batman ’66 #13 : the most enjoyable bat book of its day sees dean haspiel ride in and deliver pitch perfect storytelling chops and just the right amount of wink-wink this book thrives on.

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tuki: save the humans #1 : where jeff smith goes, we follow.

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mike mignola’s hellboy artist’s edition : seeing the master’s hand unadorned packs a punch.

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-chris stevens

Seconds : Bryan Lee O’Malley (with great help from Nathan Fairbairn) does it again with his new, beautiful, magical realist fable.

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Street Angel HC : AdHouse Books has brought Jim Rugg’s modern classic, bar-raising series back in perfect form. Street Angel changed the way I looked at comics 10 years ago, and this new, handsomely produced edition (which includes a few bits and pieces old fans might not have seen) is the one it’s always deserved. Everyone who missed it the first time around owes it to themselves to read it now.*

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-Andrew Carl

*Diamond didn’t actually ship us our order of Street Angel HCs this week, but we’ll be getting them in soon. Regardless, this roundup wouldn’t have been right without her.

The Locust Moon Top 40: March 2014

40. DESTINO

This is what it looks like when Walt Disney and Salvador Dali sort of collaborate. Sure makes you wonder what could have come of a deeper partnership.

39. BASEWOOD

Another delicious fruit of the Kickstarter era. Never before would a work as personal and idiosyncratic as Alec Longstreth’s BASEWOOD have seen publication in such a beautifully produced oversized edition, a handsomely made book containing a flawlessly cartooned story of loss, survival and connection.

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38. GRAND BUDAPEST HOTEL

OK, so none of us have actually gotten around to seeing it yet. But we’re so happy to have more Wes Anderson in the world that we’re listing it anyway.

37. MONSTERS & TITANS – the BATTLING BOY art book

Finally, we can see BATTLING BOY artwork the way it deserves to be seen: BIG.

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36. This Terrifying Short Film

Watch if you’re sick of sleeping, and would prefer never to do it again.

35. New Wu Tang Album

They are pressing one single copy of their new double album, which will be sold to the highest bidder. Something tells me we won’t end up finding this one for $3 in the bargain bin of the Princeton Record Exchange, like we did with 36 Chambers in 1997.

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Continue reading

memory lane

i’ve got a couple of boxes of books from my personal collection here at the shop, and i went through them for the first time in ages today.  these books still hold such wonder for me. stuff like…

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on the surface it’s just about the goofiest book ever, but i must have read this 500 times. there’s the great paul smith cover and a script from j.m. dematteis that felt so real and relatable to my 8 or 9 year old self.

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when i was a kid i felt like the x-men was my own private soap opera, and issues like this one were a big reason why.

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these issues of gi joe that really built the snake-eyes/storm shadow relationship were so filled with mystery and excitement. to this day two of the coolest costume designs in comics.

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batman & Ethe outsiders was probably my favorite super hero book outside of x-men when i was a little kid. frank miller, doing mike barr a favor i’m guessing, set the tone here with a great cover, and inside we get a classic old school confrontation between the team and a group of government-led goons called, yes, the force of july. glorious stuff.

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i could probably write a 1000 words on how much i loved, and still love, the two gumby books arthur adams did in the 80’s. here arthur employs a slightly less ornate style than usual for him at the time, and the result is a delightfully pure cartoony look. even the little odds & ends arthur drew here–a bio pic of him as a scarecrow, a pin-up of gumby & pokey riding a dinosaur–are fantastic. these should be reprinted in a proper edition, not the sad shit show of a book like the digest version that came out a few years back.

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practically forgotten today, atari force was a better book than it had any right to be. 30 years later it holds up as a fine read, particularly the first dozen or so issues penciled by the great jose luis garcia lopez. this issue, filled with all kinds of interesting critters, was a favorite.

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my love of this little guy is well known amongst my pals. true story: my mom’s dad was an alcoholic ww2 vet who i saw in alternatingly sweet and scary visits. one of the last times i saw him before his suicide i stole $5 off his dresser drawer top. i bought this comic with it.

–chris stevens

good this week

elephantmen #48 : the stakes are rising in richard starkings’ masterful scifi-noir of man and beasts. the best-produced book on the stands. every issue looks fabulous, no matter who draws it.

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b.p.r.d. vampire #3 : mignola. ba. moon. stewart.

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the wake #1 : scott snyder & sean murphy form a new age dream team on this one, and the book looks creepy and smart and like it’s got a story to tell. let’s see where we’re going.

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x-men #1 : this new all-girl x-book has our customers excited across the board, from guys to gals and new & old readers alike.

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absolute top ten : one of my favorite series ever gets the whistles & bells treatment. the hard-to-find SMAX series in included, along with all the alan moore written issues of the titular series. this book is jam packed with comics love, from an at the top of his game moore to the incredibly detailed, and funny, world that zander cannon & gene ha bring to glorious visual life. i was lucky enough back in the day to sit with zander cannon and see what the process was like putting these pages together. i tip my hat to him now, many moons later, as he was really the unsung hero of this masterpiece.

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–chris stevens