SPXcellent

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SPX

SPX, it seems generally agreed, is the most fun weekend of convention season. So much more than a small press marketplace, it’s a celebration of comics with a quirky character all its own. Our time in Bethesda was filled with booze and belly laughs, as we caught up with old friends, sold a veritable buttload of comics, and even busted out some serious dance moves.

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Andrew Carl, Rafer Roberts, Dave Proch

Oh, and also, we debuted LITTLE NEMO: DREAM ANOTHER DREAM.

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Sean getting his Nemo signed by Andrea Tsurumi (right page)

After two years, we finally had books to sell. It felt almost surreal. Having spent so much time with these beautiful pieces, having bickered & bonded over every page placement, every design element, having written endlessly about McCay and Little Nemo, having given interviews to any & all who would interview us, having generally turned ourselves over the last eight months into single-minded Nemo-making-and-promoting machines, here we were for the very first time with copies of the book to put into people’s hands. DREAM ANOTHER DREAM has attained such a giant status in our minds, as a tribute and collective effort and crowd-funded passion project, that it’s easy to forget that in the end, it’s a book. You can buy it if you want it. It’s up to you.

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Alexis Ziritt admiring those insane colors on his Nemo page (right)

We didn’t have many copies — there are only 50 in the US at the moment, having been overnight shipped and smuggled across the border at great expense and vague legal peril. We’ll be parceling them out over the our hectic convention schedule (come see us at Rose City in Portland, MICE in Cambridge, APE in San Francisco, and NYCC in NYC!), a few at a time, to tide you all over until the LOCUST MOON COMICS FESTIVAL, when we should have our bulk shipment in stock and we can sell them freely and – even more importantly – begin fulfilling the rewards of our beloved Kickstarter backers.

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Jen Tong seeing her Nemo page for the first time in print

But that’s getting ahead of ourselves. Here we were with 18 (quickly sold out) copies of this majestic creature, on the lushly-carpeted floor of one of the best and most exciting comics conventions in the world. We were tabling with our old pals & brothers-in-arms (and Nemo contributors) Farel Dalrymple and Jasen Lex, which gave our booth a grandeur and a comics firepower befitting the glorious book we were debuting. We thought we were making good sales, but Farel blew us away — there wasn’t a moment all weekend when he didn’t have a long line waiting for him to sign copies of THE WRENCHIES. The way our tables were combined, I think a fair amount of confused people thought that Locust Moon was THE WRENCHIES’ publisher. I sincerely wish we were. It’s one of the greatest comics of all time.

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Farel making his mark on a soon-to-be-epic copy of Nemo…

We discovered when inspecting the SPX floor plan that, including the two fine tablemates just to our left, 26 of the book’s 140 contributors were exhibiting at the show. So Andrew made heavily annotated maps marking each of their locations, and we sent the proud new owners of LITTLE NEMO: DREAM ANOTHER DREAM off on scavengers hunts to get as many signatures as they cared to or could. I jokingly offered a free prize to anyone who got all 26. A constant sight on the show floor throughout the weekend was people stalking from booth to booth with an unwieldily gargantuan book under one arm and a marked-up map held aloft with the other, like some kind of alt-comix version of The Amazing Race. When a number of people returned to the table with every contributor checked off, I had to figure out what the hell kind of free prize I could offer them.

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…Rawn Gandy adding to the now well-scavenged set of signatures

SPX has always been a youthful show. For all the incredible comics luminaries they always have on hand, it’s always been the show where people are most excited about handmade books and self-published minis. It’s a show that thrives on New Comics Energy, and we couldn’t have been happier to contribute to that influx of medium-sustaining novelty with an unusual and unlikely project of our own. (Many thanks to Warren Bernard for helping us make this magical weekend happen.)

As usual, half of the reason for the glory of SPX is due to the Bethesda Marriott Hotel, whose comfy confines are given over completely to the endless array of misfits that we call a comics industry. It’s more than just a con venue — it’s the eye of the storm, for one brief weekend this one building is the center of the comics universe. You exhibit there, you drink there, you draw there, you sleep there. (You eat elsewhere and abruptly realize there’s such a thing as outside.) By the end of the weekend it feels like home. I’m not sure Jesse Reklaw ever put on a pair of shoes. To the maids and bellhops it must be kind of like going to the zoo, if the animals were all inside of your house. Their hospitality was stunning, and can in no way be attributed to the eight bazillion dollars they generated in overpriced drink sales.

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Ben Sears, Andrew MacLean, Chris Stevens, Aaron Conley, Zack Soto

This SPX was heavy on the social events, from the Ignatz awards (whose many unfamiliar nominees were a welcome reminder that comics is bottomless, and we should all be reading more than we are) to the baffling spectacle of Simon Hanselmann’s wedding (we missed the vows, but walked in at the very end to see Simon making out with Gary Groth while a five piece brass band played All You Need is Love), to the SPX prom, facilitated and arranged by our own homegirls the Dirty Diamonds, which featured a jam-packed dance floor, an inspiring interpretive performance of Madonna’s Express Yourself by R. Sikoryak and Kriota Willberg, and this majestic photo, which should really be featured here at least twice and, even if the con were a total failure, completely justifies the weekend.

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SPromX

Fashion round-up: I wore a beautiful Nancy tie that Denis Kitchen gave me, a fact that I’m surprised hasn’t found its way into more post-con blogs and recaps. My own sartorial beauty was outstripped only by Tom Scioli, who was sporting french braids woven by the dirtiest of diamonds Claire Folkman, and Simon Hanselmann, who was wearing a wedding dress, which seems like cheating.

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Nancy

We scored a lot of amazing books and prints, including Dustin Harbin‘s NoBrow dinosaur leporello, Andrea Tsurumi‘s remarkable new YA sci-fi collab with Molly Brooks, Kelly Phillips‘ hilariously revealing Weird Al superfan autobio, and one lone copy of Ben Marra‘s storied, seemingly-always-sold-out TERROR ASSAULTER, which Dave, Andrew and I read aloud to each other while eating chicken nuggets in our hotel room. I’m pretty sure that’s how Ben intended the book to be enjoyed.

Oh SPX. I hope that thoughts of you will sustain us through the meat-grinder shit-show known as New York Comic-Con. You only get one chance to make a first impression. I’m glad that SPX was ours.

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Josh O’Neill, Andrew Carl

– Josh O’Neill

Tuesday Tease

With Valentine’s Day exactly a month away, we couldn’t pass up the chance to tease a little more of our Quarter Moon for lovers, issue #3.

Last week (link!) we showed off the first of its beautiful interior pages (by Alexandra Beguez), and laid out the stories you’ll be reading in this “erotic” installment of our quarterly anthology.

This week we’ve decided to reveal ONE of our cover artists, and slip you just the tip of the carnal iceberg that is his cover. Quarter Moon #3 will in fact have two covers, a reversible affair (unlike the affairs within). And each of them will knock you out.

So welcome he of Blades & Lazers, Lincoln Washington: Free Man, and Night Business fame, Benjamin Marra! QM_3_Marra_dudeWhat in hell has this guy gotten himself into? You’re gonna have to wait and see the full cover to figure that one out…

– Andrew Carl

Locust Moon Comics Festival 2013

This October, the LOCUST MOON COMICS FESTIVAL returns! If you want to find more info on the festival, its guests, and its programming, check out the Locust Moon Comics Festival website. And if you’re an artist, creator, or publisher yourself, you can apply for a table at the event. But before all that, check out the wonderful poster Rob Woods whipped up for the occasion:

LMCF2013 poster by Rob Woods

On Saturday, October 5th, Locust Moon Comics will host the second LOCUST MOON COMICS FESTIVAL, an annual celebration of comics, illustration, and graphic arts, to be held at the Rotunda in West Philadelphia (4014 Walnut Street).

Building on last year’s event, this year’s iteration will feature more than twice as many creators in a larger, more versatile space, and add an expansive schedule of programs including workshops, panels, and discussions on the art, business, and history of comics. More than just a convention, this unique event will honor comic creators and comic creations. The emphasis will be on independent and creator-owned books, as the Rotunda will play host to some of the most distinguished and acclaimed artists, writers, and publishers in the comics world.

The LOCUST MOON COMICS FESTIVAL will boast a variety of local Philadelphia talent such as J.G. Jones (Final Crisis), Robert Woods (36 Lessons in Self-Destruction), James Comey (Donkey Punch), and Box Brown (Everything Dies), alongside acclaimed cartoonists from across North America including Farel Dalrymple (Pop Gun War), Chrissie Zullo (Cinderella), Todd Klein (Fables), Tom Scioli (Gødland), Michael Kupperman (Tales Designed to Thrizzle), and Benjamin Marra (Lincoln Washington: Free Man).

The festival will be an all-day affair on Saturday (10am to 6pm), as a cornucopia of publishers and creators vend their wares, sign books, and greet fans. A number of artists will debut festival-exclusive prints, and several will debut new books, including Robert Woods’ 36 LESSONS IN SELF-DESTRUCTION, the long-awaited complete collection of DEPRESSED PUNX mini-comics. While the festival itself takes place on Saturday, events and festivities at Locust Moon Comics will spill across the weekend, including a Drink & Draw, 36 LESSONS book release party, and post-con pancake breakfast.

“This new annual tradition is our way of recognizing and celebrating the huge variety of unique, independent voices in the world of comics,” says Locust Moon co-owner Josh O’Neill. “We want to exalt the infinite possibilities of the medium and acknowledge the intrepid talents that restlessly explore and expand its edges.”

Locust Moon Comics is a retail store, art gallery, and publishing company based in West Philadelphia. This event is the most recent of their many efforts to unify, accelerate, and publicize the burgeoning Philadelphia comic book scene.

Find further information about the event and more guests as they’re announced on the LOCUST MOON COMICS FESTIVAL website (locustmoonfest.com), Facebook (facebook.com/locustmoonfest), and Twitter (twitter.com/locustmoonfest).

The Locust Moon Top 40

40. Unwritten vol. 7

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Just when you expect Gross & Carey’s literary-metaphysical magnum opus to start buckling down and wrapping up, it gets headier and wilder.

39. Waking Sleeping Beauty

An absolute love song to the guys who resurrected Disney’s majesty after a muddled, disappointing ’80s. The Howard Ashman stuff is inspiring and tragic.

38. Foxing Quarterly

Art directed by Jim Rugg, this might be the best-looking zine we have ever seen.

37. James Ensor

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The powerful works of this turn-of-the-century Belgian expressionist can be seen at the MoMA. The combination of tiny, obsessive detail with big, broad gestures reminded us of our own David Proch.

36. TCAF

We’re headed north again as the Time Machine travels across the border. Now if we could just find our passports…

35. Print Show

Instead of featuring one particular artist, in May we’re filling the gallery with beautiful low-priced prints from our books and our friends. Our buddies sure do make some pretty pictures here…

34. IDW’s Spirit Artist’s Edition

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Now that’s the spirit! Continue reading