The Locust Moon Top 40: May 2014

40. SECRET AVENGERS

Hawkeye, She-Hulk, Doop be damned — this may be the most fun book that Marvel is putting out. Come for the comedy, stay for the wild sci-fi ideas and propulsively energetic storytelling.

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39. Alan Moore Interview on Robert Anton Wilson

Robert Anton Wilson has had an outsized impact on comics sci-fi as one of the prime influences of two of its major writers: Alan Moore and Grant Morrison. Now, as bonus content for the COSMIC TRIGGER theatrical Kickstarter, you can hear comics favorite curmudgeon spend an hour kvelling about the importance of Wilson’s particular brand of visionary oddball sci-fi.

38. SHE-HULK

Charles Soule & Javier Pulido continue making us smile with their latest issue of She-Hulk, taking the jolly green she-giant over to San Francisco to see Daredevil — making for an obviously perfect crossover. The two super-lawyers wonder why they never went up against each other back in NYC, and so do we…

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37. THE AMATEURS

Conor Stechschulte’s graphic novel debut is a strange little incantation, a quietly funny nightmare in black & white — the sort of book that lingers in the back corners of your mind.

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36. KIRBY NEW GODS ARTIST’S EDITION

The unadulterated tiger-force, delivered straight from the tiger-source.

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TCAFtermath

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The Toronto Comic Arts Festival was, as expected, a beauteous beast, a many-headed hydra of pure comics wonder. It’s the greatest North American convention, bar none — the most efficiently run, thoughtfully curated, ambitiously imagined show that we’ve ever been to. Every second at TCAF is a teachable moment for us, an object lesson in how to create an event worth of the phrase “comics festival.”

We were lucky to share a table with the incomparable Laura Lee Gulledge, who was there promoting her beautifully sincere and personal YA graphic novels WILL & WHIT and PAGE BY PAIGE. We couldn’t imagine a better tablemate or partner in misadventures throughout the weekend. Go check out Laura Lee’s stuff.

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While our sales this year didn’t quite match the insane explosion of commerce that was last year’s TCAF, we still did very brisk business, turned a lot of Torontonians on to ONCE UPON A TIME MACHINE, 36 LESSONS IN SELF DESTRUCTION, and QUARTER MOON, and had ourselves a grand old time.

Seated to our left was the cartoonist and illustrator Renee Nault, whose stunning prints and gorgeous comics we had somehow never seen or heard of before. This is the beauty of TCAF — you’re constantly tripping over geniuses, pushing your way through a horde of visionaries. Renee’s table was constantly thronged by eager comic fans, and sometimes when she would go to the bathroom Andrew & I would sell her stuff, pretending we were the authors of these exquisite watercolor mermaids and comics about witches. Over the course of crappy afterparties at The Pilot House (TCAF! You can do better!) and failed 2 a.m. quests for karaoke, we strong-armed her into doing a little something with us in the very near future.

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Over the course of four days in Toronto we were treated to a mind-blowing lesson in comic shop entrepreneurialism from Alex Hoffman of The Beguiling and a terrifying demonstration of the purposes and iconography of the Australian aboriginal killing stick from Cody Pickrodt. We ate Korean barbeque and okonomiyaki, which is some kind of Japanese pancake that appears to have live fish swimming on top of it. We talked Liefeld with Ed Piskor and watched Tom Scioli scribble endlessly more insane layouts for his face-meltingly weird and original take on G.I. JOE VS TRANSFORMERS. (Tom seemed to be drawing at literally every moment of the weekend, over dinner, at bars, at his table, comics spilling from his mind faster that they could be sketched. Tom is the only person I know who can dominate a conversation with his face buried in a sketchpad. Electricity crackles off this dude like no one I’ve ever met — he seems less a cartoonist than a conduit for comic book revelation.) We caught up with our pals R. Sikoryak and Kriota Willberg, and Maria & Peter Hoey. (When I broke a pint glass in a bar called the Spotted Dick, Maria helped me hide the evidence.) Daryl Seitchik explained the difference between pink noise and brown noise and gave us a copy of her stunning new book 477 BRIGHT CIRCLE. We discovered that there is a place where the pizza is worse than West Philly, and it is called Toronto. We shared in the rare luxury of Porter Airlines with Maritsa Patrinos and Rebecca Mock one way and our hometown Dirty Diamonds crew on the other. We tipped drinks with cartoonists we’ve long admired but never met, like Luke Pearson, Gabrielle Bell and Jesse Jacobs. We shopped at The Beguiling and lusted after their DREAMS OF THE RAREBIT FIEND McCay original. We plotted world domination — pardon me, wider distribution — with Jared Smith of Big Planet Comics. We forgot to take photos. We ate between six and ten pounds of poutine. (Pic courtesy of Laura Lee.)

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Meanwhile, back at the actual show, we copped books from Taddle Creek Press and Andrea Tsurumi‘s gorgeous new HOW TO POOL mini (to be featured in QUARTER MOON 4), rediscovered Zac Gorman‘s hilarious and heartrending piece of video game-inspired cartoon poetry MAGICAL GAME TIME in physical form, met Christina Ellis (whom I wish we had known when we were putting together our erotica mag), and cracked jokes with illustrator extraordinaire and QUARTER MOON 4 cover artist Steve Mardo. We got really mad at Ben Marra for selling out of TERROR ASSAULTER before we could grab any, then realized that Ben could kick our asses and quickly apologized. We sold QUARTER MOONS and 36 LESSONS IN SELF DESTRUCTION to Peter Birkemoe from The Beguiling, because a comic that’s not in stock at The Beguiling cannot really be said, in the truest sense, to exist at all. We discovered a weird little handmade hardcover book of woodcut porn, and we’re kicking ourselves for (a) not buying it and (b) forgetting the name of it. A little help anybody?

All in all, it was what you expect from this greatest of all conventions: a weekend full of cartoon glory, alternatingly passionate and hysterical conversations, and an ever-widening sense of the constantly expanding breadth and depth of this beautiful, broken industry we call home.

Still, it feels like we were just skimming the surface. TCAF is too big, too beautiful — you’re always in the process of missing out on hundreds of remarkable things. Do we really have to wait another year?

-Josh O’Neill
(& Andrew Carl)

P.S. Whoever’s spreading rumors of the LOCUST MOON COMICS FESTIVAL’s incredible ice cream (Little Baby’s!), please don’t stop. But also, don’t forget the puppy truck.

P.P.S. This is what Andrew & I look like when we talk about farts.

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The Locust Moon Top 40: May 2013

40. Copra Compendium
It’s finally here, courtesy of Bergen St. Comics. With a voice all his own Fiffe swipes liberally from Miller & Kirby, then high-tails it for the border.copra

39. Electric Light Orchestra
If there’s a better album to make comics to than ELO’s NEW WORLD RECORD, please tell me about it.



38. This Commencement Speech by Joss Whedon
Because YOU HAVE ALREADY BEGUN TO DIE.



37. Poutine
When this stuff finally breaks in the states, dozens of organic locally-sourced poutineries will start popping up all over Williamsburg & Silverlake.

36. Inky
We got a new cat. He’s a little monster, but also a kitten so we are legally and morally obligated to love him.

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TCAFfeinated

The boys here at Locust Moon are all still recovering from a wild weekend of comic-book glory in Toronto. Editor-in-Chief Andrew Carl, Director of Special Operations David B. Tanh and I, your humble scribe, Megabussed it up across the border in the dead of night, packed alongside a lot of other cartoonists including Annie Mok, Pat Aulisio, Matt Wiegle and Ramsey Beyer. I can’t say I really recommend the 12-hour overnight Megabus experience, but like all things, it was made better by being around other comic book people. Honest Ed'sWe arrived at 9am with a day to kill, and so despite a lot of miserable and rainy weather, we went on a little walking tour of the local comic shops, led by Stephanie Cooke – assistant to Bill Willingham, tour guide to the stars, and generally awesome human. It was our first time in Toronto, and the city struck me as clean, laid-back & friendly…and it also seems to be where all the book stores went. There seems to be a massive 5-story Barnes & Noble, or a tiny little beautifully curated rare book shop, or an outstanding comic book store on every block. The BeguilingWe were blown away, of course, by the absolutely insane cornucopia of The Beguiling. Overstuffed with incredible books obsessively jammed in every open space according to some detailed organizational system only the staff can understand, the place is just a swooning wealth of material. We were very pleased to find that they stocked 8 copies of ONCE UPON A TIME MACHINE. And then there’s all the original artwork… Beguiling artOther great shops were the Silver Snail, a beautifully arranged & designed comic/coffee shop where they had a 12-foot topographical map of Middle Earth and fashioned some Adventure Time art in my latte, and The Comic Book Lounge, which seemed to be half comic shop and half event space, with a laid-back clubhouse vibe. Adventure LatteBadly drenched after hours of exploring the city on foot, we feasted on poutine, a first for all three of us, and tried to analyze why something made of fries, gravy and cheese is not popular in America. (We decided the word “poutine” is suspiciously French, has “poo” in it, and “cheese curds” sound gross. Just a branding issue.) PoutineLater on there were drinks at The Pilot, where a lot of cartoonists were unwinding. We had good chats & drinks with hometown heroes Box Brown, Pat Aulisio, and Daryl Seitchik, as well as Charles Brownstein and Frank Santoro. Late night Paul Pope showed up with a BATTLING BOY galley in tow and we got to look through it. I’m trying to find words to express how great it looked, but I can’t, so you’ll just have to wait until October and find out for yourself. We tipsily stumbled back to our hotel room, high on Molson and comics.

Which brings us to Saturday, and the show. TCAF was a thing to behold. Taking over two floors of the Toronto Reference Library and transforming them into a glorious megalopolis of books and prints and original artwork. It’s free to the public, and the place was thronged by more than 20,000 people eager to see everything there was to see and buy everything there was to buy. Books seemed to be flying off every table. TCAF 2013 animated gif by Joanna W
We were in a glass-walled room with the members of RAID (the Royal Academy of Illustration & Design), flanked by ‘Fearless’ Fred Kennedy & Adam Gorham, the righteous dudes from Big Sexy Comics, and local illustrator & printmaker Irma Kniivila, who was selling a whole bunch of gorgeous pieces with the help of her man Charlie. Andrew, reminded of his buddy back home, kept staring at this guy: Irma Kniivila cat printSaturday was the best single day of sales we’ve ever had at a convention, getting almost 100 copies of Once Upon a Time Machine into the eager hands of readers. The action at our table was so intense that we barely had any time to explore the festival floor or check out any of the programming – but that’s an awfully good problem to have.

A celebratory dinner that night was spearheaded by my trusty companions, both world class Asian-foodies, so it was ramen, poutine du japon (yup, that’s a thing), and then drinks at an izakaya, which is a Japanese bar where they bang a drum when you enter and bring you delicious snacks every 10 minutes while you drink; as far as I can tell, this represents total mastery of the drinking experience. ramenpoutine du japonWe closed out the night back at The Pilot, where a lot of very gifted cartoonists were busting out some gloriously ridiculous dance moves.

The next day, in true Sunday-at-the-con fashion, everybody seemed a little rough around the edges. It was sort of nice, though, that the energy level was lower, because it gave us more time to walk around and talk with people. I had nice conversations with Sam Hiti, Matt Kindt, Ross Campbell, Lilli Carré, Salgood Sam, Ed Piskor and many more, as well as old pals like Jim Rugg, Ben Marra, Brendan Leach & Paul Little. I picked up copies of Josh Tierney & co.’s gorgeous SPERA, Sam Hiti’s delightful children’s book WAGA’S BIG SCARE, and Frank & Becky’s TINY KITTEN TEETH, in which they drew this amazing Nemo sketch: Little Nemo by Becky and FrankThen dinner at this great tapas place in Kensington (Toronto has its own Kensington!), the TCAF afterparty at the legendary Lee’s Palace, and a soju-fueled karaoke blitz with Pope, Hiti, Becky Cloonan, Andy Belanger, Ivan Brandon, Frank Santoro, Steve Manale, Jimmy Aquino, and a few other awesome comics folks. Watching Dave & Paul duet on Let’s Dance was quite a way to end a pretty perfect comics weekend. One billion thanks to KILL SHAKESPEARE maestros Anthony Del Col & Conor McCreery for hooking us up with the great cartoonist Ramon Perez, who helped us get our table despite missing the application deadline. This was the best convention we’ve ever been to, and we owe you guys big time.

Goodbye, TCAF, you beautiful beast. We will see you next year.

-Josh O’Neill

The Locust Moon Top 40

40. Unwritten vol. 7

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Just when you expect Gross & Carey’s literary-metaphysical magnum opus to start buckling down and wrapping up, it gets headier and wilder.

39. Waking Sleeping Beauty

An absolute love song to the guys who resurrected Disney’s majesty after a muddled, disappointing ’80s. The Howard Ashman stuff is inspiring and tragic.

38. Foxing Quarterly

Art directed by Jim Rugg, this might be the best-looking zine we have ever seen.

37. James Ensor

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The powerful works of this turn-of-the-century Belgian expressionist can be seen at the MoMA. The combination of tiny, obsessive detail with big, broad gestures reminded us of our own David Proch.

36. TCAF

We’re headed north again as the Time Machine travels across the border. Now if we could just find our passports…

35. Print Show

Instead of featuring one particular artist, in May we’re filling the gallery with beautiful low-priced prints from our books and our friends. Our buddies sure do make some pretty pictures here…

34. IDW’s Spirit Artist’s Edition

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Now that’s the spirit! Continue reading